The Most Meaningful Literature, Entertainment and Art of 2016

In a late-night victory speech, President-elect Donald Trump called his base “the forgotten men and women of our country,” and he promised they “will be forgotten no longer.” His line embodied the spirit of 2016: This was the year that nationwide events put a spotlight on plights that can no longer be overlooked. Beyond Trump’s core base of white working-class voters, there was an assortment of marginalized communities making headlines, from the gay Latinos targeted at an Orlando nightclub to the black men confronted by police in Baton Rouge and suburban St. Paul; from indigenous peoples protesting a pipeline in the Dakotas to those fleeing climate change in Alaska and Louisiana; and from hijab-wearing victims of hate crimes to unemployed veterans.
But it wasn’t all doom and gloom, because where there is strife there is also powerful art to make sense of it. And 2016’s collection of books, movies, TV, plays, music and other works was no different, helping us see these groups, to understand their grievances and develop a response. After polling our staff, here is the art that most moved us at NationSwell in 2016.
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Why Is It So Hard to Understand What It’s Like to Be a Veteran?

As soon as he wrapped up his studies in film and literature at Boston University, Henry Hughes followed family tradition and signed up for the Army. For the next five years, he took fire, dodged IEDs and grappled internally with the meaning of military service while on two tours of duty in Afghanistan with the 173rd Airborne Brigade. After Hughes returned home and earned another degree from the American Film Institute, he began making movies, including his short film,“Day One,” which tells the story of a female Army interpreter facing a moral quandary during her first day on the job: saving the newborn child of a known enemy. The film was nominated for this year’s Academy Award for best live-action short.
NationSwell spoke to Hughes, a Got Your 6 Storyteller, by phone from Los Angeles about the lingering questions from war and their portrayal on film.
What inspired you to serve your country?
For me, it was a long family tradition. We basically had someone in the Army since the [American] Revolution. I wanted to be part of that tradition.
Is there one question that you continually ask yourself about your experience?
It’s probably, “why is it not so simple?” It’s a very complex part of my life, not something that is full of simply good memories or simply bad memories: it’s a mixture of all types of life. So I always wonder why it’s not like anything else. At this point, why can’t it be simpler? Why is it so difficult for everyone to understand it?
I’m guessing that’s why did you decided to make the film “Day One?”
For sure, it’s about those questions. There’s not a reducible answer like the one I just tried to give you. So that’s why I thought I could make a movie about it instead, to kind of show the way it felt. So the movie is not a true-to-life of what exactly happened to me that one day. But the feeling when I’m watching the movie, it’s that sublime space of things that are horrible and beautiful in the same breath.
What’s the most important lesson civilians can take away from art that’s made about war?
I would say that everyone’s wartime experience is subjective. I don’t know if there’s some sort of universal experience.
What’s your favorite movie about war?
For me, it’s “The Thin Red Line.” I think it touches me because there’s no other war movie like it, that accepts the soulfulness of the warrior experience. A lot of movies don’t go that way, they kind of go along the more visceral, more experiential route.
What is the quality you most admire in a comrade?
What I actually admire most is hard to come by in our community: vulnerability. When it’s a vulnerability to look at your military experience, I really love meeting those people.
Who was the most inspirational person you encountered while serving?
I would say my interpreter on my second tour. She’s the one I based the movie on, or it’s inspired by her. She’s an Afghan-American woman, naturalized as an American citizen, but born over there. The deck was stacked against her, and she looked inside herself to find out what she thought was right and wrong. It wasn’t something that someone told her to do. She just had incredible integrity.
If you could change one thing about your service, what would it be?
I wouldn’t want one of my guys to be wounded or for any of my guys to die.
What do you consider your greatest achievement?
I would probably say chasing down my wife. It was a long shot, and it worked out. In 2010, after my first tour, I flew to New York without knowing she was there. We hadn’t spoken in a long time. We knew each other as children, when we were 13, and I hadn’t seen her in a number of years. I thought I could track her down, and so on Facebook messenger, I basically said, “Hey, I just landed in New York. Let’s hang out. We haven’t seen each other in a decade.” We went on one date and then a few more dates. She started me writing me a lot of letters when I was in Afghanistan again for my second tour, and we decided to be together.
How can the rest of us, as civilians, do more to support veterans?
Just look at them as people first. I feel like there’s a big divide on some level, but a lot of it is imagined. The fact of the matter is that all of those veterans are just people. I would look at them that way first and then look at their experience.
To you, what does it mean these days to be a veteran?
Well, it’s inescapable, I suppose. The definition of being a veteran is you can never not be a veteran one once you are one. And that speaks to, I think, how profound that experience is. There’s no way you can stop being a veteran.

How Going to the Movies Can Help People with Developmental Disabilities

More than 65 percent of adults with disabilities are unemployed.
That’s a statistic Valerie Jensen was committed to change as the president of a Connecticut-based organization called SPHERE, which helps people with developmental disabilities.
One day, Jensen was inspired by an empty building that used to be a movie theater: Why not refurbish it and open it as a theater staffed by disabled adults?
Through plenty of hard work and collaboration with other organizations in Ridgefield, Conn., Jensen brought The Prospector Theater to life. Doyle Coffin Architecture designed the building, which features four theaters, a restaurant and a café, and chef Raffaele Gallo came up with the menu. Best yet? The program runs without any government funding, sustaining itself through donations and movie ticket and popcorn sales.
Prospector Theater employees offer moviegoers first-run films such as “Interstellar” and “The Hunger Games: Mockingjay Part 1,” plus first-class customer service. “We are returning the cinema to what movie going used to be like,” Jensen tells the Christian Science Monitor. “People will be dazzled by the fantastic customer service. And with that I hope their attitudes will be opened and changed about hiring people with disabilities. We want to break the cycle of unemployment.”
Prospector Theater shows many of its movies during the day — a must, Jensen explained — because it’s difficult for disabled people to find transportation for jobs at night. It also offers training to its employees in such skills as photo editing and cooking.
Jensen says, “Our goal is to have people leave us.” But not without helping plenty of customers have a stellar movie-going experience first.
MORE: Minnesota’s Bold Move to Hire More Employees with Disabilities

Can a Book Make You a Better Person?

Several recent studies have suggested that reading fiction can improve a person’s capacity for empathy, which gave Roman Krznaric, the author of “Empathy: A Handbook for Revolution,” an idea. Why not start an online library filled with books and movies that teach empathy to their readers and viewers?
Krznaric writes on the blog StartEmpathy.Org, “I wanted to create a place where anybody, anywhere in the world, could find the best resources for helping us escape from the narrow confines of our own experiences and enter the realities of different cultures, generations, and lives.”
So he launched the Empathy Library, where users can recommend and rate the books and movies that have moved them and caused them to empathize with other people. It isn’t actually a library where patrons can check out or download books and movies, but rather a resource for people to use if they want to find stories that can help develop empathy. Kznaric quotes British novelist Ian McEwan, who wrote, “Imagining what it is like to be someone other than yourself is at the core of our humanity. It is the essence of compassion, and it is the beginning of morality.”
MORE: What Looks Like a Birdhouse and Promotes Literacy?

How Going to the Movies Can Help Veterans

In 2005, Danny Dietz and three other Navy SEALs went on a mission to locate Taliban leader Ahmad Shah in the mountains near Asadabad, Afghanistan. It ended in tragedy. Caught in a firefight and radioing for help, Dietz and two others were killed. When a helicopter carrying eight more Navy SEALs and eight U.S. Army Special Operations aviators attempted a rescue, it was shot down by a Taliban rocket. Dietz was awarded the Navy Cross for his bravery during the brutal battle.
MORE: Bravery After Battle: How This Navy SEAL Uses His War Wounds to Help Fellow Soldiers
A new movie, “Lone Survivor,” is based on the story of Marcus Luttrell, the only Navy SEAL to survive the battle that killed Dietz. The backers of the movie have partnered with veterans organizations to form the Lone Survivor Fund, encouraging moviegoers to donate. When movie fans purchase their tickets on Fandango, they will be invited to contribute to the fund. The donations collected will be distributed to the Navy SEAL Foundation, Got Your 6, and the Lone Survivor Foundation, a non-profit started by Luttrell that offers education and rehabilitation services to returning vets. Actors in the movie, including Mark Wahlberg, who portrays Luttrell, and Emile Hirsch, who plays Dietz, are spreading the word about the Lone Survivor Fund as they promote the film. Now that’s a better way to spend your change than on a bucket of popcorn.